POP ART: Episode 19, Finding Nemo/The Searchers


“That’ll be the day.” Concerned about your kids these days? Wondering about their safety? Just how far would you go to keep them safe? Who would you rather come after you if you are abducted? Ethan Edwards or Marlin? The perfect time for Episode 18 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. This time, my guest, blogger and film reviewer Drew of Drew’s Movie Reviews, has chosen the Pixar/Disney animated classic and ironic fish out of water film Finding Nemo, while I have chosen the John Ford/John Wayne classic western The Searchers, both with adults who are looking for abducted children. And here we answer such questions as: Why were Albert Brooks and Ellen DeGeneres cast in the movie? What makes Pixar movies so special? What makes The Searchers a great movie…or is it one? How does the Batcave come into all this? Why was the shark named Bruce? Should Andy Serkis get an Oscar? How many Hitchcock references can you name? And what is John Wayne’s real name?

Meanwhile, listen to other episodes as well as comment on and follow ON ITUNES AND PODOMATIC. https://podcasts.apple.com/us/podcast/pop-art/id1511098925 and https://hcasner65579.podomatic.com/, as well as iheartradio: https://www.iheart.com/podcast/269-pop-art-65365716/, Sticher: https://www.stitcher.com/podcast/pop-art Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw , Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block; Adaptation/Sunset Boulevard; Die Hard/District B13; American Psycho/Repulsion; Dumb and Dumber/Too Late For Tears; Get Out/Upstream Color; Galaxy Quest/The Seven Samurai; Face/Off/Mulholland Drive; The Karate Kid/Let the Right One In.

Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

THEY’RE EITHER TOO YOUNG OR TOO OLD: I’ll See You In My Dreams and Inside Out


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
ill see you my dreams 1I’m not really sure what to say about the new independent movie I’ll See You In My Dreams, written by Marc Basch and Brett Haley and directed by Haley, except that it is quite a lovely, little film filled with acute observations about life as one enters one’s golden years.
Is that enough for a film these days? I don’t know. But in this particular case, I found it more than ample.
The movie is basically a character study of one Carol Peterson (Blythe Danner). In her young life she was a singer (she has one of the best explanations for why she is one no longer: “One day I was in a band and one day I wasn’t”). She got married and became a teacher, had a daughter, and then her husband died, allowing her to retire on more than comfortable means. Continue reading