POP ART, EPISODE 55: The Hitman’s Bodyguard/The Gauntlet


NEW POP ART EP 55: ON THE ROAD AGAIN: “Nag, nag, nag.” How hard can it be? Your assignment is to get a witness from point A to point B? What could possibly go wrong, you ask? Sounds like it’s time for Episode 55 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. Today, I am happy to welcome as my guest, blogger. podcaster and film enthusiast Thomas Stoneham-Judge, who has chosen the Ryan Reynolds/Samuel L. Jackson bromance road picture, The Hitman’s Bodyguard, while I have chosen the Clint Eastwood/Sondra Locke romantic action road picture, The Gauntlet, both about people trying to get a witness to trial against almost insurmountable odds. And don’t forget to follow my podcast and comment.

And in this episode we answer such questions as: What is the Wilhelm Scream; What is a Pat Hingle and would you want to be one; Why do Reynolds and Jackson work so well together; What did test audiences scream out at the climax of The Gauntlet; What song do the nuns on the bus sing; who were first cast in The Gauntlet; What happened to the screenplay to The Hitman’s Bodyguard a few weeks before shooting?

And check out Thomas’ blog at ForReel Movie News & Reviews at https://www.moviesforreel.net/home/category/Blogs+by+Thomas

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

Meanwhile, like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes. On ITUNES and PODOMATIC. https://podcasts.apple.com/…/pop-art/id1511098925and https://hcasner65579.podomatic.com/, Anchor: https://anchor.fm/howard-casner, as well as iheartradio: https://www.iheart.com/podcast/269-pop-art-65365716/, Sticher: https://www.stitcher.com/podcast/pop-art Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Google Podcasts: https://podcasts.google.com/…, Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb

Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

POP ART: EPISODE 52, INDIANA JONES AND THE TEMPLE OF DOOM/GUNGA DIN


HIP HIP HOORAJ: “Kill for the love of Kali.” It happens over and over again. You conquer a country. Make it part of your empire. Teach them to be just like you while not giving them any real freedom or self-determination. And in response, all you expect is a little gratitude—plus the vast majority of their resources for your own exploitation. But in return, what do you get—all they do is grumble, complain and commit mass murder. Sigh. Sounds like it’s time for Episode 52 of Pop Art, the podcast where my guest will choose a movie from popular culture and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. This time, I am happy to welcome as my guest, filmmaker Micky Levy. Micky has chosen the second entry in the Indian Jones franchise, Indiana Jones and the Temple of Doom, while I have chosen the George Stevens, Rudyard Kipling inspired classic, Gunga Din, both inspired by the Raj in India and a rebellious cult called The Thuggees.

And in this episode we answer such questions as: Why did nobody involved like Indiana Jones and the Temple of Doom? Who did they want for the role of Gunga Din first? What joke was played on Spielberg during the filming of the final scenes? How did Cary Grant get cast as Cutter? What effect did Temple of Doom have on the ratings system? What did Bertolt Brecht, T.S. Eliot and George Orwell say about Gunga Din and Rudyard Kipling? What happened to the characters of Willie Scott and Short Round? Why was Kipling cut from the original version of Gunga Din?

Check out Micky’s IMDB listing at https://www.imdb.com/name/nm0506551/?ref_=nv_sr_srsg_0

And her film Rails & Ties, available on various streaming platforms

Check out my blog at https://howardcasner.wordpress.com/

Continue reading

POP ART: Episode 45, True Romance/Pierrot le Fou


THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH: “Okie, dokey, doggie daddy.” We’ve all been there, done that. We meet someone. Fall in love. Pledge our lives to each other. Then, as so often happens, we kill someone or rob someone of drugs or money and have to go on the run. Who hasn’t found themselves in that situation? Sounds like it’s time for Episode 45 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. This time, I am happy to welcome fellow podcaster Jarrett Galante, aka Clark F. Gable, who has chosen the Tony Scott/Quentin Tarantino neo-noir, True Romance, and I have chosen the quite different Jean Luc Godard French film classic, Pierrot le Fou, both about lovers on the run.

And in this episode, we answer such questions as: What did Tarantino do to raise money to make Reservoir Dogs and how does Elvis fit in? Are Tarantino and Godard post-modern or post-post-modern? How does the movie Pineapple Express fit in? Who is Sam Fuller and would you want to be one? Where did the Sicilian story come from in True Romance? Where does Godard stand in the pantheon of directors? Where does Tarantino? What are the differences between the original screenplay and the final one in True Romance and what did Tarantino think about it? Where did the True Romance theme come from?

Meanwhile check out Jarrett’s podcast The REAL Short Box at https://www.facebook.com/therealshortbox/

And Jarrett’s IDMB profile at https://www.imdb.com/name/nm1445425/?ref_=nv_sr_srsg_0 Continue reading

POP ART: Episode 25, The Running Man/The Most Dangerous Game


NEW EPISODE “I don’t do requests.” Is there someone in your life you wish wasn’t? Maybe a group of people? Or maybe you’re just plain bored? I have a solution—how about taking up…hunting? Sounds like the perfect time for Episode 25 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. This time my guest, writer and film critic, influencer and book reviewer, Hermione Flavia chose the perhaps bit too relevant Arnold Schwarzenegger dystopian action film The Running Man and I chose the pre-code adventure classic, The Most Dangerous Game, both films about men hunting men for sport. And in this episode we answer such questions as: What are the major differences between the films and their source material? Who is the first recorded black person to play a white character in film? Who are the saving graces of each film? What was Richard Dawson’s condition for doing The Running Man? How relevant is The Running Man to the world today? And where does The Family Feud and Scooby Do come in? What is pre-code? And what is it about those fashions? And have a look at Hermione’s blog at wildfiremotionpictures.com.

And don’t forget to listen to other episodes, as well as like, comment on and follow ON ITUNES AND PODOMATIC. https://podcasts.apple.com/us/podcast/pop-art/id1511098925 and https://hcasner65579.podomatic.com/, as well as iheartradio: https://www.iheart.com/podcast/269-pop-art-65365716/, Sticher: https://www.stitcher.com/podcast/pop-art Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw , Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block; Adaptation/Sunset Boulevard; Die Hard/District B13; American Psycho/Repulsion; Dumb and Dumber/Too Late For Tears; Get Out/Upstream Color; Galaxy Quest/The Seven Samurai; Face/Off/Mulholland Drive; The Karate Kid/Let the Right One In; Finding Nemo/The Searchers; Jaws/White Hunter, Black Heart; Constantine/The Wailing; The Blues Brothers/Silence (1971); The Goonies/The Bridge (1959); Hell or High Water/Bonnie and Clyde.

/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y