First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
The LEGO Batman Movie is not a sequel to the wonderful, OMG can you still not believe it not only didn’t win Best Animated Feature at the 2014 Oscars, it wasn’t even nominated, The Lego Movie, but, rather, the newest entry in the franchise. For those of you into esoteric movie references, that’s like the difference between Road to Zanzibar and, say, After the Thin Man.
The Lego Movie was a film that wouldn’t stop and carried you along on its ridiculous back never giving you time to think about it. It had something to say about being a drone versus being a child again, but what made it work was the theme being so secondary you might have missed it and not realize (as one politician didn’t) that the main song, Everything is Awesome, was ironic.
The LEGO Batman movie starts out the same way as action, action, action drives the story backed by a great deal of wit and cleverness. And the opening scenes suggest a movie with all the positives and pleasures of the first one. Continue reading →
The Grand Budapest Hotel, the new demi-farce written by Wes Anderson and Hugo Guinness and directed by Anderson, is like a box of chocolates. The outside is lovely to look at, even entrancing, and when you open it up, the chocolate itself gleams with droolful anticipation.
And then you bite into one and sometimes you get the deep, rich double chocolate you have always dreamed of, and sometimes you get the sour cherry cream (or whatever ingredient you consider to be the one you grimace at and throw back in the box after taking one quick bite). Continue reading →