POP ART: Episode 6-Robocop/THX 1138

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Afraid the world is heading toward dystopia? Worried the future may be…too futuristic? The perfect time to listen to Episode 6 of my Podcast Pop Art on Robocop/THX 1138. The premise of Pop Art is for my guest to choose a movie from pop culture and I in turn will choose a film from the art/classic side of cinema. This time my guest, film enthusiast, blogger and podcaster The Vern, of Cinema Recall, chose Paul Verhoeven’s early Hollywood directorial effort Robocop and I, in turn, chose George Lucas’s feature debut THX 1138, both dystopian tales with roboticized police forces. Here we discuss such topics as the ups and downs of Paul Verhoeven’s career; how relevant are both films to today’s world; who or what is an Ian Wolfe; what is with that white room; and other important and existential issues. This episode and others can be found at Podomatic https://hcasner65579.podomatic.com/, Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm, itunes (I believe), Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw, Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb, Soundcloud: https://soundcloud.com/you/tracks,  and other streaming platforms. DON’T FORGET TO LIKE, LEAVE A COMMENT OR FOLLOW.

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders


Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

MOVIE MURDER MOST FOUL: The Judge and The Blue Room

First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r


judgeHow can I cliché thee? Let me count the ways.
In the opening scene of The Judge, the new courtroom cum father/son we hate each other so much we love each other drama, defense attorney Hank Palmer (the kind of attorney who’ll defend anybody for anything as long as the price is right) is confronted by the prosecuting attorney Mike Kattan (the type of character that believes in truth, justice and the American way, so the filmmakers chose an actor, David Kromholtz, whose mere appearance would elicit laughter, to play the part next to the Ironman, alpha male, washboard stomach Robert Downey, Jr., who plays Hank) and they have one of those scene thingies where they debate the morality of it all.
At the end of the discussion (accompanied by mature goings on like Hank peeing on Mike’s pants), Hank sums up all the clichés that have taken place in that one encounter (and using the word “cliché” to describe it).
If the writers, Nick Schenk and Bill Dubuque, were attempting to get away with the use of overdone platitudes, familiar formula and trite tropes by calling attention to what they were doing—well, okay, in their defense one can at least one can say they knew what they were doing when they were doing it and were trying to do something about it. Continue reading