TV OR NOT TV: Absolutely Fabulous: The Movie and Star Trek Beyond


First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev 3In the olden days (those are the days when most of you weren’t even a gleam in your father’s eyes yet), when the movies went to television for subject matter, we got Marty, Judgment at Nuremberg, Charlie and The Days of Wine and Roses. Today we have The Beverly Hillbillies, Charlie’s Angels, Dark Shadows and The Addams Family (okay, The Addams Family was pretty neat, especially Addams Family Values, but you get my drift).
And now, opening the same week, we have two more: Absolutely Fabulous: The Movie (or Ab Fab, as those in my tribe refer to it) and Star Trek Beyond (or STB as I will refer to it).
Shoot me before they reach Gilligan’s Island.
Both movies, in spite of being in entirely different genres, do have two things in common. One: both are from television series that succeeded because they found the humanity at the core of their concepts. Second, and perhaps ironically: the human connection is almost totally cut off from both of the films (with Ab Fab: The Movie being so disconnected from reality, it might as well also have sci-fi in common with Star Trek). Continue reading

CRUISING: Mission: Impossible – Rogue Nation


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
mi 2In watching Mission: Impossible – Rogue Nation, the latest attempt by Tom Cruise to keep his box office status as superstar and not let his being a Scientologist be held against him, one thing that struck me is that it seemed to be violating a basic law of physics, as least physics as stated by such scientific experts as the writers of shows like Star Trek.
The basic premise of MI – RN is that there is now a mirror version of this secret espionage group that is doing everything it can to cause chaos in the world. Or as described by Ethan Hunt, our fearless leader, an anti-IMF (hold for gasps).
But if that is true, then if one IMF member comes into contact with an anti-IMF member, shouldn’t the universe be destroyed in a huge explosion?
At any rate, growing up I was a big fan of the Mission: Impossible TV series. Every Sunday (or whatever night it was, it was so long ago, I don’t remember) I was there to find out what foreign country the MI bunch were going to covertly go into and destabilize or stabilize, depending on how James Phelps’ never seen but only heard, comforting, middle American accented boss felt about them. Continue reading

My recommendations for movie watching this week in L.A. 5/1/2015-5/8/2015


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year. Only $2.99. http://ow.ly/xN31r,
 
And check out my script consultation services http://ow.ly/HPxKE
My recommendations for movie watching this week in L.A. 5/1-5/8/2015
hot fuzzON NETFLIX: HOT FUZZ, written by the star Simon Pegg and the director Edgar Wright, is a satire of both buddy cop movies and a peculiarly British genre, the dirty dealings going on in a small, sleepy country village. Very funny and often inspired (especially the opening). A fun romp.
shootON HULU: SHOOT THE PIANO PLAYER, written by Marcel Moussy and the director Francois Truffaut (from the novel Down There by David Goodis) is Truffaut’s first feature after his debut The 400 Blows. It’s also his first foray into post noir in this story of a piano player who in a bar who helps his brother who is being pursued by two mobsters. One of Truffaut’s finest films. Continue reading