POP ART: Episode 7-Singin’ in the Rain/Irma Vep

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Been seeing a lot of films during the quarantine? Then what better time to listen to a podcast about movies that are about making movies? In Pop Art, my guest chooses a movie from pop culture and I choose a film from the art/classic side of cinema and in Episode 7, my guest, Adam Ferenz, host of the Cathode Ray Mission, chose the musical classic of infinite grace Singin’ in the Rain, while I, in turn, chose a classic of Olivier Assayas’ oeuvre, Irma Vep. And here we discuss such issues as how did Singin’ in the Rain move from pop culture to art status? Who steals the movie? What do these films have to say about the making of movies in their own culture? Who or what is a Madge Blake? And how does Batman fit in? Enjoy. And don’t forget to LIKE, COMMENT and FOLLOW. You can find Episode 7 and other episodes at Podomatic https://hcasner65579.podomatic.com/, Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/…, Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb, Soundcloud: https://soundcloud.com/you/tracks

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138


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Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

ONE SIZE DOES NOT FIT ALL: Variations on structural engineering and storytelling when it comes to screenplays PART TWO: FLASHBACKS AND POINTS OF VIEW

First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r


For the second part of my essay on alternative structures and storytelling choices for screenwriters, rather than writing in ways that may seem, shall we say, a bit formulaic, perhaps a tad predictable, somewhat on the clichéd side, the same as everyone else, etc. (or, as someone said in an essay I just read, a way of telling the story that reveals the ending in the first ten pages)…
In the first essay, I made a list of films that have various variations on the use of multiple story lines.
This time, I am going to focus on films that use flashbacks and differing points of view for their structure and storytelling.
The reason I am combining the two is that flashbacks are often seen from someone’s point of view and, subsequently, a discussion of one is difficult without a discussion of the other. Continue reading