ONE SIZE DOES NOT FIT ALL: Variations on structural engineering and storytelling when it comes to screenplays, PART THREE: SURREALISM, IMPRESSIONISM and OTHER DEPARTURES FROM REALITY

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pans labyrnthI have been writing a series of essays in the hope of directing screenwriters to films that use alternative ways of structuring or telling their stories. My goal is to try to open writers up to a wider array of ways to create their vision.
I mean, it really amazes me sometimes when I realize just what has been done out there over the years in screenwriting, what can and has been achieved.
And film is an incredible medium whose possibilities simply seem boundless.
But what drove me to write these essays is that in the last five or six years of reading screenplays for contests and a production company, I have found scripts to be fewer and farther between that really take chances; try to do something different; that have a unique vision.
Instead, for me, there has been an increasing sameness to what I’ve been coming across. Continue reading