MURDER MOST FOUL: Wind River, Lady Macbeth and Harmonium


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First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
Wind River is Taylor Sheridan’s third screenplay, but the first of his that he directed himself. It revolves around the discovery of the body of a female Native American, 18 years old, found dead in the snow, barefoot, having run who knows how many miles. So what happened to her and how did she end up there?
That’s certainly a good start for a who done it. And overall, Wind River is entertaining enough. It’s not really boring.
But I’m not convinced it really comes together that satisfactorily. Continue reading

NO COUNTRY FOR BLIND MEN: Hell or High Water and Don’t Breathe


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First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev-2At one point in Hell or High Water, the new bank robbery movie that takes place in Texas, as younger brother Toby (Chris Pine) goes into a convenience store, his older brother, Tanner (Ben Foster), requests a Dr. Pepper. Toby returns with a Mr. Pibbs, to the consternation of the aforementioned sibling.
I’m not sure if the screenwriter Taylor Sheridan is from the Lone Star State, but I do have a feeling that only a native son would understand the egregious wrong that has been committed here.
In a recent review, I mentioned that we have George Lucas to thank for utilizing a bad guy that everyone can hate with no political incorrectness: Nazis. But as this movie quickly indicates, there is one bastion of evil that comes a close second: banks. Continue reading

HUMANITY AT ITS BEST AND WORST: Sicario and The Martian


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
sicarioSicario, the new thriller about the drug war written by Taylor Sheridan (a first film) and directed by French Canadian flavor of the month Denis Villeneuve (Incendies, Prisoner, Enemies), is, in many ways, two movies for the price of one.
The first is an action/adventure film full of car chases and gun battles and plot twists (many of which, if truth be told, I found just a tad tenuous at best) of the action/adventure variety.
The second is a treatise on the drug war.
The first film is often quite successful and impressive. The second is, at least from my perspective, quite shallow and unconvincing.
This means that for much of the time, Sicario is definitely and highly entertaining. Sheridan and Villeneuve, along with the incredibly soaring cinematography of Roger Deakins (one of our finest today), the film editing of Joe Walker, and the heart throbbing music of Johan Johannson, have crafted an edge of your seat story that never really stops and never really lets you stop watching. Continue reading