THE ART OF THE MATTER – Part Two: The Square, The Disaster Artist


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Warning: SPOILERS
After watching The Square, the new film from writer/director Robert Ostlund (he previously gave us the cheeky Force Majeure), I have to say I’m not exactly sure what point he was trying to make. At the same time, it was so entertaining and involving, I guess I’m not exactly sure I cared.
The story revolves around a man named Christian (I doubt Ostlund randomly drew the name out of a hat), the curator for a modern art museum in Sweden. The museum’s newest installation is, well, a square. That’s it, a square, with some wording about what the square means (though after hearing the words a few times, I’m not sure I knew exactly what that was).
I think it has something to do with the idea that whoever is in the square is supposed to be treated as equal to anyone else, a safe place where they are protected from harm. Continue reading

TONE DEAF: Marguerite and Hello, My Name is Doris


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev 1When Tommy Wiseau released his film The Room, it was so awful that it inadvertently became a cult hit, especially on the late night circuit.  But people often wondered whether the filmmaker knew just how execrable his movie really was.
I thought of that as I watched Marguerite, the new French film from writers Xavier Giannoli (who also directed) and Marcia Romano.  It’s a story about a patroness of the arts who gave recitals in her home to raise money for various charities.  When all the other performers had rendered their absolutely ravishing arias and duets, Marguerite would then conclude the evening by singing herself.  And out of her well meaning mouth came notes so awful, it made fingernails on a blackboard sound like one of Bach’s Brandenburg Concerto.
But did she know?  Continue reading