NICE WORK IF YOU CAN GET IT and PRAVDA: Steve Jobs and Truth


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Warning: SPOILERS
steve jobsThere’s a moment in Steve Jobs, the new biopic written by Aaron Sorkin and directed by Danny Boyle, when Steve Wozniak (who, it is suggested here, seemed to have done most of, if not all, the work on the Apple Computer which is what brought fame first to Jobs) lists all the things that Jobs cannot and did not do (such as write code). When he finished, Wozniak asks what seems to be one of the most appropriate questions of the entire film: Just what do you do?
In response, Jobs says that he’s the conductor that plays the orchestra.
Fair enough. But then I so wanted Wozniak to ask the obvious follow up question: So why do you get all the credit when you haven’t really done any of the essential work?
Because think about it. Quick, name five conductors off the top of your head. No, don’t google it, just do it. When I did, all I came up with was Bernstein, Toscanini and Stokowski. Now, quick, name ten composers who created the music these conductors, well, conducted? I immediately zipped through Bach, Beethoven, Brahms, Mozart, Tchaikovsky, Wagner, Copland, Verdi, Liszt and Stravinsky.
This last is especially interesting since at one point Jobs compares himself to Stravinsky, when to really be fully parallel, in this metaphor he’s Serge Koussevitsky. Who is Koussevitsky, you ask? He was the conductor at the premier of the riot inducing The Rite of Spring.
Never heard of him, right?
Exactly. That’s because conductors don’t create art, they interpret it. That is why the composer gets the credit, not the conductor.
If one was of a suspicious nature, one might wonder if sneaky little Aaron Sorkin wasn’t, in these scenes, taking more than a few potshots at film directors. After all, what do they do? Generally speaking, they don’t write the screenplay; they don’t design the costumes and sets; they don’t edit; they don’t create the cinematography; they don’t write the music; they don’t act; they don’t provide the money for it. Continue reading

A TALE OF TWO JESSES: American Ultra and The End of the Tour


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
american ultra 1I’ve always had mixed feelings about the actor Jesse Eisenberg. His stuttering performances, his “gee gosh” can’t look you in the face acting technique, his off beat visage, have actually, if I must be honest, and I guess I must, I must, put me off at the beginning and often quite annoyed me.
And, as I also said to my friends: Aren’t Jesse Eisenberg, Michael Cera and Paul Dano actually the same person? I mean, have you ever seen them in a room together?
As time has gone on, as time is want to do, as we know from Casablanca, and as Eisenberg has made more and more interesting choices in film roles (from The Squid and the Whale to The Social Network to Night Moves to The Double), he’s sort of won me over and I even look forward to his next endeavor.
Well, his next endeavor, nay, endeavors, we now have, and they come in the form of two new films: American Ultra and End of the Tour.
American Ultra is about a slacker, stoner Peter Pan, called Mike, who works at a convenience store in a small town that he can’t seem to leave because he has an agoraphobic reaction whenever he tries. He lives with a long suffering girlfriend Phoebe who he has decided to ask to marry him. But something happens that causes his best laid plans to go awry. Continue reading