THE ART OF THE MATTER – Part One: The Meyorwitz Stories (Both New and Old), Rebel in the Rye, Joan Didion: The Center Will Not Hold


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Warning: SPOILERS
The Meyerwitz Stories (Both Old and New) opened both on the Netflix streaming platform and in the theaters at the same time. The goal, as I surmise it, it to have a qualifying run for the Oscar race (and screeners have been sent) while giving it as little theatrical distribution as possible.
Sort of like having your cake and eating it to.
It’s hard to say, but I’m not sure they have that strong a chance. Many voters might feel like this is cheating (and Cannes refused to show any Netflix product).
But The Meyerwitz Stories…, written and directed by the intelligent and erudite Noah Baumbach, is quite good, even quite marvelous and definitely deserves an audience. Continue reading

HUMANITY AT ITS BEST AND WORST: Sicario and The Martian


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
sicarioSicario, the new thriller about the drug war written by Taylor Sheridan (a first film) and directed by French Canadian flavor of the month Denis Villeneuve (Incendies, Prisoner, Enemies), is, in many ways, two movies for the price of one.
The first is an action/adventure film full of car chases and gun battles and plot twists (many of which, if truth be told, I found just a tad tenuous at best) of the action/adventure variety.
The second is a treatise on the drug war.
The first film is often quite successful and impressive. The second is, at least from my perspective, quite shallow and unconvincing.
This means that for much of the time, Sicario is definitely and highly entertaining. Sheridan and Villeneuve, along with the incredibly soaring cinematography of Roger Deakins (one of our finest today), the film editing of Joe Walker, and the heart throbbing music of Johan Johannson, have crafted an edge of your seat story that never really stops and never really lets you stop watching. Continue reading